{"id":6037,"date":"2025-03-28T19:07:36","date_gmt":"2025-03-28T19:07:36","guid":{"rendered":"https:\/\/alvaromartinsanz.es\/?page_id=6037"},"modified":"2025-03-28T19:28:15","modified_gmt":"2025-03-28T19:28:15","slug":"textos-y-criticas-de-cine-de-alvaro-martin-sanz","status":"publish","type":"page","link":"https:\/\/alvaromartinsanz.es\/en\/textos-y-criticas-de-cine-de-alvaro-martin-sanz\/","title":{"rendered":"Textos y criticas de cine de Alvaro Martin Sanz"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><section id=\"ut-section-6a0481f77bf8e\" data-vc-full-width=\"true\" data-vc-full-width-init=\"false\" data-cursor-skin=\"global\" class=\"vc_section ut-vc-160 vc_section-has-fill ut-section-6a0481f77bf96 ut-section-with-linking\"><a id=\"section-publicaciones-academicas\" data-id=\"section-publicaciones-academicas\" class=\"ut-vc-offset-anchor-top\" name=\"section-publicaciones-academicas\">publicaciones academicas<\/a><div id=\"ut-row-6a0481f77cd47\" data-vc-full-width=\"true\" data-vc-full-width-init=\"false\" class=\"vc_row wpb_row vc_row-fluid vc_column-gap-0 ut-row-6a0481f77cd4f\" ><div class=\"wpb_column vc_column_container vc_col-sm-12\" ><div id=\"ut_inner_column_6a0481f77d5dc\" class=\"vc_column-inner\" ><div class=\"wpb_wrapper\"><div class=\"wpb_content_element\"><style type=\"text\/css\">#ut_header_6a0481f77db35 h3.section-title, #ut_header_6a0481f77db35 h3.section-title span { color:#000000; }#ut_header_6a0481f77db35 h3.section-title{ font-family: \"Poppins\";font-weight:600;font-style:normal; }#ut_header_6a0481f77db35 h3.section-title { font-size:50px !important;line-height:70px !important;letter-spacing:-0.03em; }#ut_header_6a0481f77db35.pt-style-2 .page-title span:after, #ut_header_6a0481f77db35.pt-style-2 .parallax-title span:after, #ut_header_6a0481f77db35.pt-style-2 .section-title span:after { background-color:#000000 !important;}<\/style><header id=\"ut_header_6a0481f77db35\" class=\"section-header  ut-no-title-linebreak-mobile ut-no-lead-linebreak-mobile pt-style-2 header-left header-tablet-left header-mobile-center element-with-custom-line-height\"><div class=\"element-with-custom-line-height\" ><h3 data-title=\"Textos y cr\u00edticas de cine en la revista&#13;&#10;El Antepen\u00faltimo Mohicano\" data-effect=\"fadeIn\" data-animateonce=\"yes\" data-delay=\"0\" data-responsive-font=\"section_title\" data-responsive-font-settings=\"{&quot;base-font-size&quot;:&quot;50&quot;,&quot;font-size-unit&quot;:&quot;px&quot;,&quot;font-size&quot;:{&quot;desktop_large&quot;:&quot;50&quot;},&quot;base-line-height&quot;:&quot;global&quot;,&quot;line-height&quot;:{&quot;desktop_large&quot;:&quot;70&quot;},&quot;base-letter-spacing&quot;:&quot;global&quot;,&quot;letter-spacing&quot;:{&quot;desktop_large&quot;:&quot;-0.03&quot;}}\" class=\"section-title ut-animate-element animated ut-no-animation-tablet ut-no-animation-mobile title-with-linebreak\"><span>Mart\u00edn Sanz, \u00c1. (2015). Texts and Film Critiques in the Magazine<br \/>\n<i>El Antepen\u00faltimo Mohicano<\/i><\/span><\/h3><\/div><\/header><\/div>\r\n\t<div class=\"wpb_text_column wpb_content_element\" >\r\n\t\t<div class=\"wpb_wrapper\">\r\n\t\t\t<ul>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, November). Interview with Dagur K\u00e1ri, Director of<\/span><em style=\"color: #000000;\"> Virgin Mountain<\/em><span style=\"color: #000000;\">. <\/span><em style=\"color: #000000;\">El Antepen\u00faltimo Mohicano<\/em><span style=\"color: #000000;\">. <\/span><a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/11\/entrevista-dagur-kari-director-de-virgin-mountain.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/11\/entrevista-dagur-kari-director-de-virgin-mountain.html<\/a><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, October). A Grand Finale: Chronicle of the Seventh Day of the 60th Seminci. <em>Review of Mustang.<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-7-critica-mustang.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-7-critica-mustang.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, October). Finnish White Flavor. Chronicle of the Sixth Day of the 60th Seminci. Reviews of<em> La arteria invisible, Girl King <\/em>and<em> Tikkun<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-6-criticas-la-arteria-invisible-girl-king-tikkun.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-6-criticas-la-arteria-invisible-girl-king-tikkun.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, October). Rain and Shadows. Chronicle of the Fifth Day of the 60th Seminci. Reviews of<em> El mundo abandonado <\/em>and<em> Why Me<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-5-criticas-el-mundo-abandonado-why-me.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-5-criticas-el-mundo-abandonado-why-me.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, October). Buy a Child, Adopt a Ram. Chronicle of the Fourth Day of the 60th Seminci.\u00a0 <em>Reviews of Rams, <\/em>and <em>La adopci\u00f3n<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-4-criticas-rams-el-valle-de-los-carneros-la-adopcion.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-4-criticas-rams-el-valle-de-los-carneros-la-adopcion.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, October). Common Paths. Chronicle of the Third Day of the 60th Seminci.\u00a0 <em>Reviews of Nahid and Degrade.<\/em> <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-3-criticas-nahid-degrade.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-3-criticas-nahid-degrade.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, October). By the Toasting of Dorayakis. Chronicle of the Second Day of the 60th Seminci.\u00a0 <em>Reviews of Sweet Bean, Una historia de locos y Zonda, folclore argentino<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-2-criticas-una-pasteleria-en-tokio-una-historia-de-locos-zonda.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-2-criticas-una-pasteleria-en-tokio-una-historia-de-locos-zonda.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, October). 60 Years Are Nothing. Chronicle of the First Day of the 60th Seminci.\u00a0 <em>Review of Incidencias<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-1-critica-incidencias.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/10\/seminci-2015-dia-1-critica-incidencias.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2015, March). The Frozen Soul. Review of <em>Broken Hill Blues<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2015\/03\/critica-omheten-broken-hill-blues.html\">https:\/\/www.elantepenultimomohicano.com\/2015\/03\/critica-omheten-broken-hill-blues.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, November). <em>Interview with Bong Joon-ho<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/11\/entrevista-bon-joon-ho.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/11\/entrevista-bon-joon-ho.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). Waiting for the 60th Birthday. Top Ten of the 59th Seminci. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-las-10-mejores-peliculas.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-las-10-mejores-peliculas.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). The Envy of the Gods. Review of <em>The Angriest Man in Brooklyn<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-el-hombre-mas-enfadado-de-brooklyn.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-el-hombre-mas-enfadado-de-brooklyn.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). The Scottish Germ of Humor. Review of<em> Nuestro \u00faltimo verano en Escocia<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-nuestro-ultimo-verano-en-escocia.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-nuestro-ultimo-verano-en-escocia.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, octubre). Bendito desbarajuste. Cr\u00edtica de <em>El arca de No\u00e9<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-el-arca-de-noe.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-el-arca-de-noe.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). Run Little Lamb, Run. Review of<em> The lamb (Kuzu)<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-el-corderito-kuzu.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-el-corderito-kuzu.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). Rockwell's Family Toy. Review of <em>Little Feet<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-little-feet.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-little-feet.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). Stadiums and Coexistence. Chronicle of the Sixth Day of the 59th Seminci.\u00a0 <em>Reviews of Parkolo, C\u00e1sate conmigo and Las horas contigo. El Antepen\u00faltimo Mohicano. <\/em><a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-dia-6-criticas-parkolo-casate-conmigo-las-horas-contigo.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-dia-6-criticas-parkolo-casate-conmigo-las-horas-contigo.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). The Killing Machine. Review of<em> The Farewell Party<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-mita-tova-la-fiesta-de-despedida.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-mita-tova-la-fiesta-de-despedida.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). The Silence of the Discourse. Review of <em>La tirisia<\/em>. El Antepen\u00faltimo Mohicano. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-la-tirisia.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-la-tirisia.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). Surprises and Disappointments. Chronicle of the Fifth Day of the 59th Seminci.\u00a0 <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-dia-4-criticas-regreso-a-casa-el-mas-alla.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-dia-4-criticas-regreso-a-casa-el-mas-alla.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). The Day of Cheap Spanish Cinema. Chronicle of the Fourth Day of the 59th Seminci. Reviews of <em>Regreso a casa <\/em>and<em> El m\u00e1s all\u00e1<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-dia-4-criticas-regreso-a-casa-el-mas-alla.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-dia-4-criticas-regreso-a-casa-el-mas-alla.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, octubre). Love will tear us apart. Review of<em> Miss Julie.<\/em> <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-miss-julie-senorita-julia.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-miss-julie-senorita-julia.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). The Yoke. Review of<em> Stations of the Cross<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-camino-de-la-cruz.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/critica-camino-de-la-cruz.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). Of Goddesses and Saints. Chronicle of the Third Day of the 59th Seminci. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-dia-2-critica-la-senorita-julia-camino-de-la-cruz.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-dia-2-critica-la-senorita-julia-camino-de-la-cruz.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). Cinema to the Rhythm of Jazz. Chronicle of the Second Day of the 59th Seminci. Reviews of<em> Whiplash, Diplomacy, Kauboji, Marie Heurtin <\/em>and<em> Galore<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-criticas-whiplash-diplomacia-kauboji-la-historia-de-marie-heurtin-galore.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-criticas-whiplash-diplomacia-kauboji-la-historia-de-marie-heurtin-galore.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, October). Seminci Beta. Chronicle of the First Day of the 59th Seminci. Review of <em>Two Days, One Night<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-primera-jornada-dos-dias-una-noche.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/10\/seminci-2014-primera-jornada-dos-dias-una-noche.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, September). The Illusion of Low Cost. Review of<em> G\u00fceros<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/09\/critica-gueros.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/09\/critica-gueros.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, April). How to Be a Screenwriter and Not End Up at the Bottom of a Pool. Review of <em>Writing Heads<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/04\/writing-heads-hablan-los-guionistas-critica.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/04\/writing-heads-hablan-los-guionistas-critica.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, April). And Who Cares... Review of <em>Who Killed Bambi?<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/04\/quien-mato-bambi-critica.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/04\/quien-mato-bambi-critica.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2014, April). Towards the Search for Personal Identity. Review of <em>Matterhorn<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2014\/04\/matterhorn-critica.html\">https:\/\/www.elantepenultimomohicano.com\/2014\/04\/matterhorn-critica.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, December). Vimanarense Crucible. Review of <em>Centro hist\u00f3rico<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/12\/centro-historico-critica.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/12\/centro-historico-critica.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, November). In the Suburbs of Hope. Review of <em>Metro Manila<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/11\/metro-manila-critica.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/11\/metro-manila-critica.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, November). Interview with Destin Cretton. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/11\/entrevista-destin-cretton.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/11\/entrevista-destin-cretton.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, November). Interview with Juan Cavestany. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/11\/entrevista-juan-cavestany.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/11\/entrevista-juan-cavestany.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, November). Interview with Mar Coll. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/11\/mar-coll-entrevista.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/11\/mar-coll-entrevista.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, October). Correction as a Flaw. Review of <em>Walesa<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/10\/walesa-la-esperanza-de-un-pueblo-critica.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/10\/walesa-la-esperanza-de-un-pueblo-critica.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, October). The Best Possible Ending. Reviews of <em>Matterhorn<\/em>, <em>Benur<\/em>, <em>La reconstrucci\u00f3n<\/em>, <em>El amor no es lo que era. El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-7-matterhorn-la-reconstruccion-benur.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-7-matterhorn-la-reconstruccion-benur.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, October). The Irregular (and Fun) Day in Morocco. Chronicle of the Sixth Day of the 58th Seminci. Reviews of <em>Run &amp; Jump<\/em>, <em>Al final del cuento<\/em>, <em>Z\u00e9ro<\/em>, <em>Malak<\/em>, <em>Berlin -7\u00ba. El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-6-run-and-jump-al-final-del-cuento-malak.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-6-run-and-jump-al-final-del-cuento-malak.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, October). The Best, The Worst. Chronicle of the Fifth Day of the 58th Seminci. Reviews of <em>Metro Manila<\/em>, <em>Omar<\/em>, <em>Isteni m\u0171szak<\/em> and <em>I&#8217;m the Same I&#8217;m an Other<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-5-criticas-metro-manila-omar-im-the-same-im-an-other.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-5-criticas-metro-manila-omar-im-the-same-im-an-other.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, October). From Poland to Japan. Chronicle of the fourth day of the 58th Seminci. Review of <em>Una familia de Tokio<\/em>, <em>Papusza<\/em>, <em>Centro Hist\u00f3rico<\/em>, <em>Las b\u00fasquedas<\/em> and <em>Rock the Casbah<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. \u00a0<a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-4-criticas-una-familia-de-tokio-papusza-rock-the-casbah.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-4-criticas-una-familia-de-tokio-papusza-rock-the-casbah.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1, (2013, octubre). Contin\u00faan las buenas sensaciones. Cr\u00f3nica de la tercera jornada de la 58\u00aa Seminci. Cr\u00edtica de <em>Night Moves<\/em>, <em>La por (El miedo<\/em>), <em>Marina<\/em> and <em>The Weight<\/em> <em>Of Elephants<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-3-criticas-night-moves-marina-weight-of-elephants.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia-3-criticas-night-moves-marina-weight-of-elephants.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, October). Because no one said that auteur cinema couldn\u2019t be fun. Chronicle of the second day of the 58th Seminci. Review of <em>Short Term 12<\/em>, <em>Gente en sitios<\/em> and <em>Presentimientos<\/em>. <em>El Antepen\u00faltimo Mohicano<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia2-criticas-Short-term-12-Presentimientos-Gente-en-sitios.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-2013-dia2-criticas-Short-term-12-Presentimientos-Gente-en-sitios.html<\/a><\/span><\/li>\n<li style=\"text-align: left;\"><span style=\"color: #000000;\">Mart\u00edn Sanz, \u00c1. (2013, October). Mar Coll opens, Kim Mourdant moves. Chronicle of the first day of the 58th Seminci. Review of <em>Todos queremos lo mejor para ella<\/em>, <em>The Rocket<\/em> and <em>The Canyons<\/em>. <a style=\"color: #000000;\" href=\"https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-dia-1-todos-queremos-lo-mejor-para-ella-the-rocket.html\">https:\/\/www.elantepenultimomohicano.com\/2013\/10\/seminci-dia-1-todos-queremos-lo-mejor-para-ella-the-rocket.html<\/a><\/span><\/li>\n<\/ul>\n\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/div><\/div><\/div><\/div><div class=\"vc_row-full-width vc_clearfix\"><\/div><a data-id=\"section-publicaciones-academicas\" class=\"ut-vc-offset-anchor-bottom\" name=\"section-publicaciones-academicas\">publicaciones academicas<\/a><style type=\"text\/css\">#ut-section-6a0481f77bf8e{padding-top: 40px !important;padding-bottom: 40px !important;background-color: #f7f8fa !important;} <\/style><\/section><div class=\"vc_row-full-width vc_clearfix\"><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"publicaciones academicasTextos y cr\u00edticas de cine en la revista El Antepen\u00faltimo Mohicano Mart\u00edn Sanz, \u00c1. (2015, noviembre). Entrevista a Dagur K\u00e1ri, director de Virgin Mountain. El Antepen\u00faltimo Mohicano. https:\/\/www.elantepenultimomohicano.com\/2015\/11\/entrevista-dagur-kari-director-de-virgin-mountain.html Mart\u00edn Sanz, \u00c1. (2015, octubre). Un final por todo lo alto. Cr\u00f3nica de la s\u00e9ptima jornada de la 60\u00aa Seminci. Cr\u00edtica de Mustang. El Antepen\u00faltimo Mohicano. [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6037","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Textos y criticas de cine de Alvaro Martin Sanz - \u00c1lvaro Mart\u00edn Sanz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alvaromartinsanz.es\/en\/textos-y-criticas-de-cine-de-alvaro-martin-sanz\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Textos y criticas de cine de Alvaro Martin Sanz - \u00c1lvaro Mart\u00edn Sanz\" \/>\n<meta property=\"og:url\" content=\"https:\/\/alvaromartinsanz.es\/en\/textos-y-criticas-de-cine-de-alvaro-martin-sanz\/\" \/>\n<meta property=\"og:site_name\" content=\"\u00c1lvaro Mart\u00edn Sanz\" \/>\n<meta property=\"article:modified_time\" content=\"2025-03-28T19:28:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/alvaromartinsanz.es\/wp-content\/uploads\/2025\/03\/Alvaro-Martin-Sanz-traje.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2232\" \/>\n\t<meta property=\"og:image:height\" content=\"1500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/alvaromartinsanz.es\/textos-y-criticas-de-cine-de-alvaro-martin-sanz\/\",\"url\":\"https:\/\/alvaromartinsanz.es\/textos-y-criticas-de-cine-de-alvaro-martin-sanz\/\",\"name\":\"Textos y criticas de cine de Alvaro Martin Sanz - \u00c1lvaro Mart\u00edn Sanz\",\"isPartOf\":{\"@id\":\"https:\/\/www.alvaromartinsanz.es\/#website\"},\"datePublished\":\"2025-03-28T19:07:36+00:00\",\"dateModified\":\"2025-03-28T19:28:15+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/alvaromartinsanz.es\/textos-y-criticas-de-cine-de-alvaro-martin-sanz\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/alvaromartinsanz.es\/textos-y-criticas-de-cine-de-alvaro-martin-sanz\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/alvaromartinsanz.es\/textos-y-criticas-de-cine-de-alvaro-martin-sanz\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/www.alvaromartinsanz.es\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Textos y criticas de cine de Alvaro Martin Sanz\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.alvaromartinsanz.es\/#website\",\"url\":\"https:\/\/www.alvaromartinsanz.es\/\",\"name\":\"\u00c1lvaro Mart\u00edn Sanz\",\"description\":\"P\u00e1gina web de \u00c1lvaro Mart\u00edn Sanz. 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